Ship of Magic (The Liveship Traders, Book 1)

Synopsis: As addictive as morphine THE TIMES From the author of the classic Farseer trilogy, SHIP OF MAGIC is the first part of the Liveship Traders. Set in a land bordering the Six Duchies, Robin Hobb begins her epic tale of pirates, talking ships, magic, sea serpents, slave revolts, dashing heroes and bloody battles. Wizardwood, the most precious commodity in the world, comes only from the Rain Wilds. But only a liveship can negotiate the perilous waters of the Rain Wild River, and liveships are hard to come by. They quicken only when three family members from successive generations have died upon their deck. The liveship Vivacia is about to undergo her quickening: Althea Vestrit waits for the ship that she loves more than anything in the world to awaken. But her dream of taking her fathers place at Vivacias helm is not to be, for her family have other plans. . . And the dark, charming pirate Kennit also lusts after such a ship: he well knows the power of wizardwood and has plans of his own . . . Review: Robin Hobb, author of the Farseer trilogy, has returned to that world for a new series. Ship of Magic is a sea tale, reminiscent of Moby Dick and Patrick OBrians Aubrey/Maturin series in its details of shipboard life. It is also a fantasy adventure with sea serpents, pirates, and all sorts of magic. The liveships have distinct personalities and partner with specific people, somewhat like Anne McCaffreys Brain ships and their Brawns, though these are trading ships and have full crews. Hobb has peopled the book with many wonderfully developed characters. Most of the primary ones are members of the Vestritts, an Old Trader family which owns the liveship Vivacia. Their stories are intercut with those of Kennit, the ambitious pirate Brashen, the disinherited scion of another family who served on the Vestritts ship, and Paragon, an old liveship abandoned and believed mad. The sentient sea serpents have their own story hinted at, as well. Though Ship of Magic is full of action, none of the plotlines get resolved in this book. Readers who resent being left with many questions and few answers after almost 700 pages should think twice before starting, or wait until the rest of the series is out so that their suspense wont be too prolonged. But Hobbs writing draws you in and makes you care desperately about what will happen next, the mark of a terrific storyteller. --Nona Vero